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I miss Emilie! When I lived in Virginia, we got together regularly to talk and laugh, eat wonderful food (which Emilie usually made; she's an amazing cook), and most importantly, brainstorm our works-in-progress. We knew each other's books almost as well as we did our own. I left Virginia for North Carolina four years ago, and although Emilie and I are no longer able to break bread together on a regular basis, we stay in close touch via email and, of course, we read each other's books. People often ask me something like "Help! I've read all your books! What author should I read while waiting for your next book to come out?" Invariably, I suggest Emilie, and not just because she's my bud. You'll see from my interview questions and her answers just how similar we are, both as writers and as women.

            Like me, Emilie has an active blog. She's inventive at coming up with contests and here's something you're going to love: Mira Books, the publisher we both write for, is offering a coupon for $1.50 off Emilie's new release, Happiness Key.  In addition, you have a chance to win a copy of Sister's Choice, Emilie's 2008 release, simply by commenting on this post. I'll pick one of your comments at random on July 5th. In the meantime, I hope you'll enjoy getting to know Emilie!

1.    I believe that our books are similar in many ways and that readers who love my books will also love yours. I know I can't wait to get my hands on your new novel, Happiness Key. Can you tell my readers a bit about it?

 

I've always wanted to write a friendship novel.  Characters in other books I've written have had important friends, of course, but I'd never written a novel that focuses on the way women find and support each other, sometimes under the unlikeliest conditions.  Happiness Key is the story of four very different women thrown together in the same shabby beachfront community, then thrown even closer together to solve the mystery of an old man who died in the fifth house in their tiny "development."   Each of them is confronting something momentous in her personal life and convinced that she is alone with her problem.   Those bleakest of moments, of course, are where friendship comes in, both in novels and in real life.

 

2.    What would you say is the central theme in Happiness Key? Do most of your books share the same thematic elements?

Happiness Key  is about preconceptions and the way we let them guide us when they shouldn't.  The women of Happiness Key--which is the name of the development--are determined not to like each other, and there are other people in their lives that they've discounted or even accepted without question when they shouldn't have.  Although this isn't a new theme--Iron Lace, one of my first single titles, explored prejudice over a century in New Orleans--I'd say the major theme of most of my novels is family secrets and the way they infect and affect us until we acknowledge and deal with them.  Of course Happiness Key has a strong thread of this, as well.

3.    The role of friendship between women plays an important part of the story in Happiness Key, and I feel very fortunate to count you among my friends. Can you talk about the importance of friendship in your own life and how it influences your writing?

I feel fortunate to count you among my friends, as well, and fortunate, too, to have other writers who are important to me.  Sharing hopes and defeats with someone who really understands is a huge gift.  But it's also been extremely valuable in another way.  Most of the friends I make in my church or neighborhood have similar attitudes and beliefs about the things that are important to me.  But my writer friends are all over the map on those issues, and that's been eye-opening and broadening.   Like the characters in my story, it's helped me learn what to really value and what to discount.

4.    What were the special challenges in writing about four women who are so different from one another? Do you relate to one of these women more than the others? Did you find it difficult to write from the point of view of the Indian character, Janya, since she comes from a culture so unlike your own?

Having very different characters and points of view is challenging, but it's never boring.  I decided early in the book to give three of the major characters a point of view.  For a variety of reasons Alice, the fourth, is seen through the eyes of the others.  Although Janya is from India, I found I empathized with her struggles the most, so found her easiest to write.  My daughter is Indian and because of that, we've always had more than a casual interest in her country of birth.  That said, writing about a different culture is always a challenge.  At some point you have to let go of your fears and remember you're writing about one person,  not an entire country, race or religion.

Although I expected Wanda, whose opinions are the most different from my own, to be the hardest, she was such a hoot I looked forward to her scenes the most.  Tracy, whose pampered life was probably the most foreign to me, turned out to be the most complex and in some ways the most interesting.   We were a match made in heaven.  She needed to grow and I was more than happy to help her. 

For fun I put together a Facebook quiz that anybody can take to find out which character in Happiness Key they are most like.  I've taken it twice with two different answers, (Janya and Alice) which just goes to show that there's always a little of the author in every character she writes. 

5.     Was it difficult to tear yourself away from Virginia to Florida in creating a setting for Happiness Key? What research, other than setting, did you need to do while writing this new book?

I don't feel the Shenandoah Album series is complete, so it was tough at first to move to Florida--where I actually grew up.  But once I "moved" there, I had a ball.  There was indeed--as you know from your books--a ton of research, from detailing Florida laws on everything from conservation to driver's licenses, research on India, Hinduism, arranged marriages, strokes, the Miami-Dade police force, shuffleboard and many etcs.  Luckily research is a little like solving a mystery and fun because of it.

6.    You've written five books in the extremely popular Shenandoah Album series, inspired by your love of quilting. Are you starting a new series of linked books with Happiness Key? If there are readers who wish you would continue the Shenandoah Album series, can you reassure them that they'll find happiness in Happiness Key?

I hope to write a sixth book in the Shenandoah Album series someday, but that will depend on my publisher, who is very committed right now to Happiness Key and to Fortunate Harbor, the sequel, which I'm working on now.  In the meantime, though, I truly believe my Shenandoah Album readers will enjoy this new series, too, just the way I enjoyed writing it.  In the end, it's an Emilie Richards novel, and if they like my writing, they'll like these novels.

7.    You are incredibly prolific! Somehow, you manage to find time to write an entirely different series of books--mysteries--while working on your women's fiction. Can you tell my readers a little about your Ministry is Murder mysteries, the most recent of which is A Lie for a Lie? Do you need to wear a different hat depending on the type of book you're writing?

Writing the Ministry is Murder mysteries came down to giving into the voices in my head.  Aggie Sloan-Wilcox, an unconventional minister's wife in a small Ohio town, just appeared one day and would not shut up.  After several years of trying to tune her out, I finally gave in.  Aggie is an unwilling sleuth, but she just can't stay out of trouble--thank goodness.  I don't find writing two books a year easy, but I love the variety, love the traditional mystery, and love Aggie and her world.  Sinking back into life in Emerald Springs  each time is like hanging out with old friends.  And though Aggie's novels are a bit lighter and funnier than my women's fiction, the change is such a delight, that it's a plus, not a minus to write them. 

8.    I know that your marriage to a minister certainly influences your mystery series, but I wonder if it's had an impact on your other fiction as well?

I wonder, too.  Our church is very accepting of diversity with very few lines drawn in the sand, so exploring values and not preaching specifics seems natural and right to me.  My work is not "inspirational" in the sense that the word is sometimes used in conjunction with novels, but I think it's inspirational in a broader sense.  You can't live with a minister all these years, not be an integral part of churches and the lives of parishioners, and not think about life's biggest issues and passages.

9.    You've written more than sixty novels, an accomplishment I can't even imagine. How do you think your writing has changed over the course of your career?

In the past decade I've been given freer rein to explore the subjects and themes that matter most to me, but even when I go back and read my older novels, so much is still the same.  The way I express myself, the issues I tackle.  Starting with say the sixth romance I wrote, I'm always pleasantly surprised that my name is on the cover.  One thing's for sure, it hasn't gotten any easier.

10. There are some exciting things happening for you right now. Your Shenandoah Album series has been released on audio this year, and a couple of your older books have been made into films in Germany. What is it like to see your books receive new life in this way?

It's interesting.  I've learned to enjoy the process, and keep my expectations in check.   I've yet to see the movies, but I'm glad so many people in Germany enjoyed them.  I'm thrilled to have my novels in audio because so many people have requested them over the years.  Personally I'm a huge fan of audiobooks and listen to them when I walk, drive and quilt.

11. What can we expect next from you? Do you have something in the works right now?

I'm working hard on Fortunate Harbor, then I'll start A Truth for a Truth, my next mystery.  In between I'll be taking some time off to read, think and relax.  That's part of the writing process, too.

12. I know that, like me, you enjoy speaking to book clubs. Can you tell my readers how they can arrange to have you visit them, either in person or by speakerphone?

There's a sign-up page on my website  or they can email me to make the arrangements.  I look forward to these sessions. 

Thanks, Diane, for the chance to tell you and your faithful followers about Happiness Key.  You know how much I love your blog, and now I can say I've loved being here.

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The past few days are nothing but a blur, though a very nice blur--even if I did start out in a bit of a panic. John and I arrived in Wilmington, North Carolina Wednesday afternoon. We went out to dinner on the river, which was lovely (broiled grouper), but I was already getting anxious because I was operating on a mega sleep deficit and knew I had to get up at 5am Thursday morning to do a TV interview. With my deadline looming (yes, I'll be saying those words "deadline" and "looming" for another month. . . ), I'd really been pushing myself--working late, early, and in between. So I planned to go to bed early Wednesday night and get a good night's sleep.

But then the panic happened.

I'd decided to pack very lightly for this trip. I packed my outfit for the Thursday night booksigning (white pants, white shell, print blouse) and my traveling clothes (truly junky ragamuffin khaki cargo pants and an old black t-shirt). I knew I couldn't wear a print on TV, so I figured  (brilliantly, I thought at the time), I'd pack my green shirt to wear over my white shell on camera. While laying out the outfit Wednesday night, it suddenly hit me: White shell? White pants? White on TV? Major no-no (and not just because it makes you look fat). John had to talk me out of my panic. (I'll spare you the grisly details. Suffice it to say that I showed up at the TV station in my green shirt and my khakis and t-shirt, both of which had been ironed within an inch of their lives.) Once I made the decision to wear my junky clothes (like I had a choice?), I went to bed with plans to get a good night's sleep. But then I  started reading Diane Setterfield's The Thirteenth Tale -- big mistake. I finally closed the book around 2am. I set three alarms (clock radio, travel alarm and my Blackberry alarm) plus arranged a wake-up call with the front desk (I'm not joking. I am not a morning person!)

The TV interview was brief and I barely remember it, but I think it went well because it drove at least several people to the signing that evening. But I'm getting ahead of myself.

After the interview, I returned to the hotel to find that John was out taking pictures, as usual. He loves that early morning light. I worked for a couple of hours. 

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Then my publicists, Tori and Kim, picked us up and took us to the Wilmington NPR station, WHQR, where John snapped this pic of me as I was getting ready for the interview. The host of the program, Jemila Ericson, is one of those people who. . . Well, it's hard to describe. If I had no spiritual side, I'd say that in thirty seconds, she had my number. But since I do have a spiritual side, I'll say that in thirty seconds, she touched my soul. She's gifted at what she does, and I'm willing to bet she gets magic from most of her interviewees. It was like chatting with an old friend, and I left the station feeling high. You can listen to the interview here.  

Next, Tori, Kim, John and I went to the Caffe Phoenix for lunch (yummy soup and salad). We love that place! Then back to the hotel where I could finally put on my white clothes for my signing at Two Sisters' Bookery in the Cotton Exchange. What a charming bookstore, and I loved getting to know one of the owners, Brooks. Isn't that a great name for a woman? Wilmington is the setting of my work-in-progress, and I was able to pick any number of brains as I signed. It was wonderful!

Back at the hotel after the signing, we indulged in room service (fabulous burgers!), and I wish I could say that I went to bed early, but that Thirteenth Tale kept me up again. I did, however, sleep like the proverbial log.

In the morning, we drove to the airport, where about 35% of my work-in-progress is set. I know that seems like a weird setting for one of my novels. You'll just have to trust me on this! I'd been totally wrong about this airport in my imagination, so I was so very glad I visited it. You've got to love an airport that's filled with rocking chairs!

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We arrived home last night to two very happy-to-see-us pups. Today I revised three chapters. I'll have to work very hard the early part of this week, because Thursday I'm off again, this time to a signing at Quarter Moon Books  on Topsail Island, July 3rd. Join me there if you can! I'll be the woman wearing white.  

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Well, my loyal readers, you outdid yourselves this time! I've never had such an enormous response to one of my blog questions, and you made my job extremely difficult. You offered many, many ideas that would work well as a name for my fictional spit of water-logged land, and I had a hard time choosing. It was Glen, one of our frequent commenters (and one of our few male commenters), who helped me pick among my favorites. The winner is (drumroll, please!): Last Run Shelter, offered by Margo. Congratulations, Margo! Send me your address and I'll send you an autographed copy of The Courage Tree.

I liked the sound of Last Run Shelter, but it wasn't until Glen mentioned the connection to the old moonshine days that I knew it was the winner. It fits the history of my locale, or I should say, it gave my locale a new history.

So thank you all for your enthusiasm and inventiveness! I had a blast reading your five zillion ideas and playing with them in my imagination. And thanks, Glen, for adding your two cents.

I'm still in Wilmington after an incredibly full and fun day, which I'll post about when I get home.  Until then, I want to thank all of you again for your help.

 

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If you're near Wilmington, NC Friday evening June 26th, stop by Two Sisters' Bookery between 4 and 7. I'd love to meet you!

There is a setting in my work-in-progress, The Lies We Told, that I need to name. You, my readers, have helped me name both books and characters in the past, so I'm turning to you once again for inspiration. If I use the name one of you suggests, I'll send you an autographed copy of The Courage Tree

Here's the setting: Picture a backwoodsy area of coastal North Carolina. In real life, there's a (much nicer) area called Holland Shelter on a tributary of the Cape Fear River. I like the word Shelter, which fits both the locale and the storyline. So I'm looking for "_____ Shelter". 

_____ Shelter is actually a peninsula of sorts. Like Holland Shelter, it's on a tributary of the Cape Fear but that's where the similarities end. _____ Shelter  is attached to the mainland by a long, very narrow strip of land, so that when the area floods and that strip is underwater, _____ Shelter becomes an island, cut off from the mainland. If you don't have a boat, you're trapped until the floodwaters go down. And of course, my characters don't have a boat.

The house in the picture (a real house I snapped on a recent trip to the area) belongs to one of the characters who lives in _____ Shelter, so you get an idea of what life is like. Not great. :(

The situation is scary from a pyschological perspective and to a lesser degree, from a physical perspective. But it's also an emotional story. As is usually the case with my books, there's a little bit of everything! So the blank in _____ Shelter should be a word that evokes trouble and mystery, with a healthy dose of poignancy.

I look forward to your ideas, and may the best ______ win!

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I've invited thriller author Stacey Cochran to chat with us today. I met Stacey a few years ago when he and I spoke about publishing on a panel at Quail Ridge Books here in Raleigh. He's such a nice guy, it's hard to believe he could possibly write such scary books! Without further ado, here's Stacey.

 

Thanks so much, Diane, for hosting me today at your blog. I'd like to say "hello" to your audience and thank them for reading today. I am currently wrapping up a 45-day blog tour to promote the release of my novel Claws.

 

The book is a suspense thriller that concerns a wildlife biologist in Arizona named Angie Rippard, who is drawn into a police investigation when two of her brightest students are found dead one morning at a golf course that borders protected National Forest Land. She suspects that they were killed by a large mountain lion, but her position draws her into conflict with the resort's owner and with local politicians.

 

The momentum generated in the past month is unlike anything else I've seen in my writing career. I think the blog tour gave me a platform and made me accountable for marketing the book, but I could not have foreseen the result.

 

CLAWS hit a number of bestseller lists in the Amazon Kindle store, and this visibility has been remarkable. I've just spent the morning answering questions for interviews, for example, there is no let-up in sight.

 

This is the first time I've published on Kindle, and it seems like I've found myself in the middle of a phenomenon. Everywhere I turn online, people are talking about the Amazon Kindle and because my books are doing well there, I'm receiving a lot requests for interviews. Most of the discussions have been through blogs, podcasts, Skype, YouTube, and other online vehicles.

 

Nonetheless, it's been very fun, and I'm extremely grateful for how the novel has been received.

 

If any of your readers has questions about CLAWS, Amazon Kindle, or online marketing, I'm happy to answer any questions here as they come in today and will check back frequently.

 

Thanks so much, Diane, for the opportunity. And thanks so much to everyone else for reading!

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Do you know that I speak to bookclubs via speakerphone? There have been some weeks when I make a call every single night. I always promise 20 minutes, but I have so much fun talking that I may ramble on for 30. The time just flies by. This week I spoke with a book club in West Chester, Ohio in the middle of the afternoon. That was a first. The name of their club is Lettuce Read! They'd read Before the Storm, and after our call, they sent me this picture. I love it!

If you'd like me to chat with your bookclub when you're discussing one of my books, just fill out the form on my website. I have to warn you that I've had to turn down some requests lately because of my crazy travel schedule as I promote Secrets She Left Behind, but I will do my best to accomodate you.  

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I'm watching the old (2000) movie, Finding Forrester, as I work on this blog post. Have you seen it? It's the story of an aging agoraphobic author played by Sean Connery (the only actor worthy of the name Bond, in my opinion) and his young protoge', a brilliant inner city kid named Jamal. Forrester tells Jamal to start writing, and Jamal replies that he's thinking of what to write. Forrester replies, "No thinking. That comes later." He goes on to say, "Write your first draft with your heart. You rewrite with your head. The first key to writing is to write, not think."

What excellent advice summed up in a few sentences! So many novice writers want perfection from the start and they work and rework one page in the time they could write twenty. Early in my writing days, I belonged to a wonderful critique group. Critique groups are great; I highly recommend them. Group members can help you polish your work, but more importantly, they give you support while you're writing. The problem I found over time, though, was that being in a critique group forced me to spend too much time thinking and not enough time writing from the heart.

I know many writers who polish as they go, trying to make that first draft fit for publication right from the start. Some of them succeed at it, too, but I'm with Forrester. My first draft is always written with my heart. It's messy, full of blank spaces, half sentences, and is very short on detail, but it has plenty of emotion and always contains the central thread of the story.

I had to leave my beloved critique group when my writing settled my current "sloppy first draft" pattern, because I never had work that was polished enough to be critiqued in a timely fashion. My current group of writing buddies and I are all published and all working under one deadline or another, so we rarely have the time--or the desire--to critique each other's writing. Rather we brainstorm and commiserate over the vagaries of the writing business. And we write wonderful sloppy first drafts, straight from the heart.