
I’m not a big fan of reality TV, but one show I love and never miss is Project Runway. I get such a kick out of the artistic personalities and seeing real talent ultimately rise to the top. More than anything, though, I’m fascinated by the process of creation. If you haven’t seen Project Runway, it goes something like this: the contestants are given an assignment, such as “make an outfit appropriate for a Times Square billboard out of things you can buy in a pet store.” Then they’re given, perhaps, ten hours to complete the task. Around hour five, Tim Gunn (who is impossible not to adore!) visits the workroom to check out what everyone is doing and offer helpful comments. Then around hour six, they throw a last-minute wrench in the works, such as: “You also need to add an accessory to your outfit and it must be in the color of Heidi Klum’s lipstick,” or something equally ludicrous. (Heidi is a pip. Seriously, how does a woman keep having babies and look like that? It’s utterly beyond me).
So what does this have to do with writing? It occurred to me as I was watching Project Runway the other night that the process of creating an outfit under a tight deadline is very much like writing a book under a tight deadline. There is the “make something from nothing” element, followed by the creation of the design or in the case of a book, the structure. Then there is the execution. Then there is Tim Gunn. When Tim spent time with the designers the other night, critiquing their half-finished projects, one of them said something like “We need you because we’re too close to our work and can’t see the forest for the trees.” Tim is very good at seeing the forest, and that comment reminded me of the reason writers need editors. (Listen up, self-pubbed people! Hire one if you don’t have one).
My editor is really earning her salary as she works with me on The Midwife’s Confession. What draft am I on now? I’ve lost track. Doesn’t matter. This is the one that counts. I’d mentioned that after my editor read my complete manuscript, she wanted me to add the point of view of the late midwife herself. I knew she was right, but that required rewriting the entire book, introducing a storyline that added layers of depth to an already packed tale. I thought I was done then. I knew I’d have some tweaking to do, but I wasn’t quite prepared for my editor’s last-minute suggestion: “Now that the focus is more on the midwife, we no longer need Grace’s (the teenaged girl) point-of-view.” Ack! Once again, I knew she was right. I was so immersed in my creation that, like those Project Runway designers, I hadn’t been able to see the forest for the trees.
So that is my task for this week. It will be the final major overhaul of this book, and it’s about as easy as creating an evening gown out of rawhide chips and dog food bags. See my computer screen above? The full manuscript is on the right, the new mansucript is in the middle. And on the left are the scenes from Grace’s point of view. I am going through them to see what information she gave the reader that the reader simply must know and which I’ll therefore have to seamlessly incorporate into other characters’ points of view. Even more crucial is the need to allow Grace to remain a whole and significant character in the story without allowing her to tell the story herself. Trust me, I have quite a challenge ahead of me!
I’m getting a kick out of it, though. Whenever a book feels like a puzzle to me, it gets my juices flowing. I feel as though Tim Gunn’s paid me a visit, shaken me up a bit, and then told me to “Make it work!” So that’s what I’m up to this week. I want The Midwife’s Confession to knock ‘em dead on the runway. You won’t even be able to see where I stitched the dog food bags together.

Actually, these are my second impressions. My first weren’t so good, but that was because: a) I have no Mac experience; b) I wanted to learn to do many complicated things at once, and preferably by osmosis; and c) I am impatient. Oh, and d) I neglected to notice the User’s Guide, which really is a pretty handy little thing! But I’ve had my iPad for a couple of weeks now and I’m falling in love with it. I know I’ve only scratched the surface of what I can do with it. I’m a true novice. Still, for those of you who’d like a novice-eye view from a decidely un-techie person, I thought I’d share.
A few nights ago when I was getting ready for bed, I had a nighty-night pill and my earplugs waiting for me on my nightstand. Not thinking, I reached for an earplug and my bottle of water, catching myself when I had the earplug an inch from my mouth (which is much better than the time I nearly swallowed my dog’s pill; I really need to pay attention to what I’m doing!).
Counting all the votes on my blog and Facebook page, it looks like this cover is the winner for the e-book reissue of The Escape Artist. First, I’ll play with it a little–soften the focus and tweak a few other things to make it more to my liking. But I do love this little guy. He is perfect for Tyler in the book.
which I love as well, but she needs to have a little boy holding her hand and I couldn’t find any great stock images that convey both the feeling of this image but also have a mom and a little boy–plus the wonderful colors of her dress and suitcase.
and scared mom, not a slut. When I spotted this stock image with the paintbrushes, though, I was smitten. It’s wrong for the book, however, so I’m tossing it.
one, which was my favorite but again wrong for the book. A couple of you mentioned the Goth/Twilight look of it and that’s an accurate assessment. I saw the timelessness, the pensiveness, the romance and the artistry. I just think it’s a pretty cover. Again, though, it’s wrong for the book, so out it goes.



I just finished
I believe this is draft #8 of The Midwife’s Confession.
I’m revising for a Monday deadline, so I’ve been a little neglectful of my blog this week. But I thought I’d take a minute to show you my wonderful roll top desk during the throw-everything-anywhere phase of the revision process. I saw this 
As I’ve said so often on my blog, I love my readers!
in Atlanta and other places to celebrate the 50th anniversary of the film.” She also told me about the six week camping trip she and her husband enjoyed, visiting all nine locations of the Little House books. “Since my husband never read the books as a boy, I read them aloud to him as we drove west.” I have to say, her husband sounds like quite a guy!
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