It’s been fun having Secret Lives available as an e-book and I’ve enjoyed hearing from those of you who are reading it for the first time. Now I need to figure out which of my out-of-print books I should make available next. Whether you read e-books or not, I’d love your help in this decision. If you’ve read my early books, which was your favorite? Or if you haven’t read them, which sounds most intriguing to you? I apologize to those of you who only read print books and wish I could accommodate you as well. I hope they will be reissued some day by my publisher. Thanks so much for your help.
The choices (with the original bookcovers) are:
The Escape Artist: A young woman, about to lose custody of her eleven-month-old son, takes the toddler and escapes to Annapolis, Maryland to start a new life, leaving behind the man she loves. In Annapolis, she’s befriended by a mural artist with secrets of his own. When she stumbles into a dangerous situation that could cost people their lives, she’s unable to turn to the authorities because she’s on the run.
From Library Journal: “. . . a moving tale of parental love and desperation.” From Kirkus Reviews: “A sure-fire grabber.”
Reflection: Twenty years ago, a tragedy struck the Pennsylvania town of Reflection and everyone holds one woman, Rachel Huber, responsible for what happened. When Rachel returns to care for her elderly grandmother, she discovers she has only one person in her corner–a Mennonite minister who was her childhood friend. As the story shifts between past and present, secrets unfold, a romance blossoms, and both the town and Rachel are put to the test.
From the Richmond Times Dispatch: “. . . as the plots interlock, the reader is swept into the town’s emotion and suspense.”
Fire and Rain: The tiny southern California town, Valle Rosa, is withered by drought and ravaged by wildfires when a stranger appears, promising he can create rain. He asks only for total privacy while he works, but he becomes the center of two women’s worlds–Mia, who falls in love with him, and Carmen, who vows to learn his true identity at all costs. Neither woman realizes that their involvement with him can jeopardize far more than the future of Valle Rosa.
From Publishers Weekly: “Nearly every chapter finishes with the sort of emotional jolt that keeps the pages turning.”
Brass Ring: Claire Harte-Mathias tries unsuccessfully to save a woman who leaps from a bridge in Harpers Ferry, West Virginia. As she tries to understand the reasons for the woman’s suicide, Claire is jarred by frightening, half-hidden memories. Torn between the love and support of two men–her husband and the brother of the woman on the bridge–she tries to make sense of the images that haunt her, discovering that the past, present and future are intertwined in a way she is powerless to change.
From the Chicago Tribune: “You’d think there’s nowhere for a story to go after a distraught woman plunges to her death in an icy river, but Brass Ring will prove you wrong.”

About thirty years ago, I was published for the first time. Not a novel, but an op-ed piece in the Los Angeles Times. I was working as a hospital social worker at the time, and after a particularly moving encounter with a family in the ER, I took a break and wrote this fictionalized account in my office. I submitted it to the Times and was thrilled when they accepted it for publication. I was bitten by the writing bug then. . . Well, I’d been bitten long before that, I guess. It’s probably more accurate to say I was bitten by the publication bug. And the rest is history.
Even the dog bed is askew. Pictures of my characters. Manuscript pages everywhere. Almonds to snack on. Hand lotion for my weary fingers. My singing stuffed warbler, sent to me by a reader, sits in front of my printer. I can squeeze him whenever I need a bit of June in the midst of February. Thich Nhat Hanh calendar on the wall to keep me centered.
And on my monitor, the steps leading from my condo to the beach. Yeah.
First, this is not a complaint! I’m actually quite happy about what’s going on, even though I don’t quite understand it.
I drove down the long gravel driveway to the Weymouth mansion Thursday afternoon with a prayer of gratitude on my lips. Coming here is like flipping a switch from the world of laundry and grocery shopping and doctors’ appointments and phone calls to the world of writing and nature and friends.
I’m not much of a believer in the occult, but I do love
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