boy over shoulder bought flatCounting all the votes on my blog and Facebook page, it looks like this cover is the winner for the e-book reissue of The Escape Artist. First, I’ll play with it a little–soften the focus and tweak a few other things to make it more to my liking. But I do love this little guy. He is perfect for Tyler in the book.

 

Second place was this one, girl suitcase flat compwhich I love as well, but she needs to have a little boy holding her hand and I couldn’t find any great stock images that convey both the feeling of this image but also have a mom and a little boy–plus the wonderful colors of her dress and suitcase.

 

Most of us agreed that this cover was just plain inappropriate to the story and the character who is a young short and paintbrush comp flatand scared mom, not a slut.  When I spotted this stock image with the paintbrushes, though, I was smitten. It’s wrong for the book, however, so I’m tossing it.

 

Finally, several of you liked this girl at window comp flatone, which was my favorite but again wrong for the book. A couple of you mentioned the Goth/Twilight look of it and that’s an accurate assessment. I saw the timelessness, the pensiveness, the romance and the artistry. I just think it’s a pretty cover. Again, though, it’s wrong for the book, so out it goes.

Therefore, the worried little boy is the winner. . . unless I find the perfect mom-and-son-on-the-open-road picture. Thanks for helping me make the decision!

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It’s so strange to be able to show you the cover of a book I’m still revising, but here it is! It will be in your hands May 2011. I hope!

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It’s been fun having Secret Lives available as an e-book and I’ve enjoyed hearing from those of you who are reading it for the first time. Now I need to figure out which of my out-of-print books I should make available next. Whether you read e-books or not, I’d love your help in this decision. If you’ve read my early books, which was your favorite? Or if you haven’t read them, which sounds most intriguing to you? I apologize to those of you who only read print books and wish I could accommodate you as well. I hope they will be reissued some day by my publisher. Thanks so much for your help.

 The choices (with the original bookcovers) are:

1998 The Escape Artist softcover The Escape Artist: A young woman, about to lose custody of her eleven-month-old son, takes the toddler and escapes to Annapolis, Maryland to start a new life, leaving behind the man she loves. In Annapolis, she’s befriended by a mural artist with secrets of his own. When she stumbles into a dangerous situation that could cost people their lives, she’s unable to turn to the authorities because she’s on the run.

From Library Journal: “. . . a moving tale of parental love and desperation.” From Kirkus Reviews: “A sure-fire grabber.”

 

 

 

 

1995 ReflectionReflection: Twenty years ago, a tragedy struck the Pennsylvania town of Reflection and everyone holds one woman, Rachel Huber, responsible for what happened. When Rachel returns to care for her elderly grandmother, she discovers she has only one person in her corner–a Mennonite minister who was her childhood friend. As the story shifts between past and present, secrets unfold, a romance blossoms, and both the town and Rachel are put to the test.  

From the Richmond Times Dispatch: “. . .  as the plots interlock, the reader is swept into the town’s emotion and suspense.”

 

 

 

 

1993 Fire and Rain hardcoverFire and Rain: The tiny southern California town, Valle Rosa, is withered by drought and ravaged by wildfires when a stranger appears, promising he can create rain. He asks only for total privacy while he works, but he becomes the center of two women’s worlds–Mia, who falls in love with him, and Carmen, who vows to learn his true identity at all costs. Neither woman realizes that their involvement with him can jeopardize far more than the future of Valle Rosa.

From Publishers Weekly: “Nearly every chapter finishes with the sort of emotional jolt that keeps the pages turning.”

 

 

 

 

1994 Brass Ring hardcoverBrass Ring: Claire Harte-Mathias tries unsuccessfully to save a woman who leaps from a bridge in Harpers Ferry, West Virginia. As she tries to understand the reasons for the woman’s suicide,  Claire is jarred by frightening, half-hidden memories. Torn between the love and support of two men–her husband and the brother of the woman on the bridge–she tries to make sense of the images that haunt her, discovering that the past, present and future are intertwined in a way she is powerless to change.

From the Chicago Tribune: “You’d think there’s nowhere for a story to go after a distraught woman plunges to her death in an icy river, but Brass Ring will prove you wrong.”

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TMC story board and meI turned in The Midwife’s Confession, my May 2011 book,  about a month ago and then waited a few weeks to hear what my editor thought about it. That’s always a nerve-wracking time.  A writer’s career is full of waiting to hear what other  people think — agents, editors, reviewers, and most importantly, readers.

I finally heard from my editor, and although she loved the book, she had some ideas. She always does, and they’re invariably good ones. Her idea regarding TMC was particularly good. The midwife, Noelle, is central to the story, of course, but she remains quite a mystery to the reader because she is not a point of view character. My editor’s suggestion (suggestion being an under-exaggeration of her feelings on the subject!) was to give Noelle more of a presence in the story. That should be easy, right? Just add one more point of view? Well, it would be easy if only Noelle didn’t kill herself in the first scene.

So I’ve been spending some time trying to figure out how to give Noelle more of a presence. I thought about the fourth book I wrote, Keeper of the Light*, in which Annie O’Neill dies in chapter one yet is undeniably the central character of the story. She had no point of view, but I made sure the reader knew her very well through the eyes of the other characters. Maybe I could make Noelle more central to the story through the eyes of others as I did with Annie? That wasn’t good enough for my editor, though. She really wanted Noelle’s voice in the story.

Then I thought about Kate in Secret Lives**. Kate is also dead in the beginning of the book, but she becomes a central character through her journal. Could I give Noelle a diary, perhaps? While it worked beautifully in Kate’s case, I thought it would have felt too contrived in Noelle’s.

Finally, I bit the bullet and did the only thing possible: I’m giving Noelle a point of view through her own chapters as I–and the reader–dig back into her past. As her creator, I knew her intriguing past and what led up to her confession,  but now the reader will get to be intrigued along with me.  As I write, I can’t believe I didn’t think of giving Noelle a more powerful presence myself. Sometimes we’re too close to our stories to see what’s obvious. This is what a good editor is all about. 

So now, it’s back to the storyboard (inspired in its current three act form above by my writing bud, Alexandra Sokoloff.) Changing a novel always reminds me of my days as a family therapist. When you change one part of the family system, it changes everything else. It’s no different with a story. To make room for Noelle’s voice, I first needed to cut some other threads and subplots. If you’ve been reading my blog for a long time, you might remember there were four Galloway Girls in The Midwife’s Confession–four women who lived together in the Galloway Dormitory at UNC-Wilmington. Well, now there are only two. I’m still in the process of killing the extraneous two off (figuratively speaking). Frankly, they were not serving nearly as good a purpose as Noelle’s story is going to serve. Yet it always hurts a little to cut off the heads of people you’ve nurtured and gotten to know, even if they are getting in the way.

At the same time as I’m ditching those subplots, I’m developing Noelle’s backstory. She’s in third person because I need to make some concession to the fact that she’s dead. I’m enjoying getting to know her even better. I’ve always liked her and now I like her more. Of course, she’s going to do something not very likeable eventually. Will I be able to keep the sympathy flowing for her? I can’t wait to find out!

* Keeper of the Light will be reissued in 2011

** Secret Lives is now available as an e-book for Kindle and all other e-readers.

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Balderdash!

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groupI drove down the long gravel driveway to the Weymouth mansion Thursday afternoon with a prayer of gratitude on my lips. Coming here is like flipping a switch from the world of laundry and grocery shopping and doctors’ appointments and phone calls to the world of writing and nature and friends. Sarah Shaber was the first person I saw when I climbed the stairs to the writers’ section of the house, and she said she’d felt a lump in her throat as she came up the driveway. Clearly, I wasn’t alone in my joy and gratitude. I knew I wouldn’t be.

We’re all gathered here now (in the photo, L to R, that’s me, Margaret Maron, Katy Munger, Sarah Shaber, Alexandra Sokoloff and Mary Kay Andrews. We’re missing–in more ways than one–Bren Witchger, who couldn’t join us this time). The Weymouth Mansion opens its doors to serious writers who have a North Carolina connection. In our case, we’re all published and we all understand the trials and tribulations of the business and the writing process. It costs us nothing to stay here for up to two weeks each year, though most of us make donations to help with utilities and maintenance. Our rooms are small, but the mansion is huge and we each carve out our personal space in which to write.  Our needs this week are simple: M & M peanuts, two games (Balderdash and Taboo), the ability to check our email, and our works-in-progress. We brainstorm with one another and take solo, meditative walks around the beautiful grounds, but for the most part, we work and it’s fantastic to suddenly realize you’ve written twelve pages almost effortlessly.

Today was a little different. We actually put on make-up this morning and dressed in something other than sweats, because a writer and photographer were coming from Our State Magazine to do an article on us. Someone at Our State had heard about our twice-yearly retreats and asked if they could spend half a day with us. I asked the writer, Anne Webb, to snap this shot of us on the stairs with my camera as we posed for the “real” photographer, Natalie Ross. It was fun to share our morning with Anne and Natalie, and we’re all looking forward to May, when the article will appear in Our State. Of course, their visit wreaked havoc on our writing schedule, but it didn’t matter. When I was wandering outside after their visit, I stumbled across Natalie (in the Witches’ Garden) who asked if I’d like a Native American spiritual card reading. I jumped at the chance–knowing I’d have her read the cards for my character rather than myself (see my blog post on Tarot for writers). We found a sunny spot and sat down on a bed of pine needles. Natalie pulled out her deck of special cards, and in about five minutes, I had an unexected twist for my storyline. The whole thing was kind of woo-woo and wonderful.  

So now, the wine is being poured as we all catch up on our writing and ponder where to go for dinner. (One of us who shall remain nameless is munching M&Ms; not me. I’ve already had my fill for the day). After dinner, we’ll play Taboo, since we wore out Balderdash last night (Anyone know what a prickmadam is? We do now!) Alex won’t play–she is the real workhorse of the group, rarely taking a break, and she eats healthy food all the time, but we love her anyway!

I’ll check in with another post later in the week. Till then, enjoy whatever you’re reading, knowing that some of your favorite authors are here, spinning new tales for you!

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di and pups on beachWhen I decided to set Before the Storm and Secrets She Left Behind on Topsail Island, I never dreamed how important this place would become to me. From my very first research trip,  though, I knew I’d discovered something special. It reminded me of my childhood at the Jersey Shore and of my early adulthood on the Outer Banks. Like most coastal areas, it has way too many houses crammed together along the beach, but now with the purchase of my own oceanfront condo I’m part of the development, so I guess I can no longer complain! In spite of the wonderfully eclectic hodgepodge of homes, Topsail retains its away-from-everything charm. Just a few restaurants and shops and only one stoplight. It makes a perfect setting for my books– an area where everyone knows everyone else and where a tragedy and a mystery have an impact on all.

This has been our first visit to the condo, which I purchased after seeing it for only 5 minutes. It’s wonderful! It needs a little TLC and I’m looking forward to making it mine. It’s less than three hours from our home in the Raleigh area and is a perfect getaway. Keeper and Jet had never seen the beach before and after three days here, they’re still a little perplexed, but at least their ears are no longer flattened against their heads! John hasn’t taken his camera from his face since our arrival. I doubt he’ll ever get tired of photographing the island.

As for me. . . I have a simple, incredible, unexpected joy. As my frequent readers know, I have rheumatoid arthritis. It’s under very good control, but my left foot and ankle have a great deal of damage sustained before the “good drugs” came along. It’s hard for me to walk and impossible for me to walk on uneven surfaces, such as the beach. But a year ago, I had a brace made which is builtP1000524 - Copy into my sneaker and guess what? For the first time in about ten years,  I can walk on the beach! I’ve been overdoing it like crazy the past few days, and enjoying every sandy minute.

The other night, I couldn’t sleep. I was thinking about my next book, and the characters wouldn’t settle down inside my head. I got up and went out to the deck and lay down on the broad bench you see here in this picture. I listened to the sea while staring up at Orion and the three-quarter moon and thought about how lucky I am to be able to have homes in two places that I love, to be surrounded by the people (and animals) that I love, and to be able to do the work that I love.  My hope is that you, my readers, feel equally as lucky in your lives.

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How do I avoid letting the cat out of the bag?

I’m working on the updates for my website and have discovered a major challenge: how do I tell my readers about Secrets She Left Behind without revealing too much about Before the Storm? You see, Secrets She Left Behind stands alone just fine, but it is also a sequel to Before the Storm. If someone hasn’t already read Storm, how do I tell them about Secrets without giving away the twists in Storm? Not only is this a dilemma with regard to my website, it will be a dilemma at my upcoming speaking engagements and signings. (The back cover copy of Secrets gives away the major twist to Storm, as well).

I’ve seen two reviews of Secrets so far. Both were obviously written by people who hadn’t read Before the Storm, and both were excellent, so I know the book stands alone just fine. That is a goal when I write any books that are linked: they must work apart as well as they work together, so that’s a relief. But picture this: I’m at a bookstore where I’ll be speaking. People approach the table where the books are displayed and casually read the back covers, as they will most definitely do, trying to decide which book to buy. I hate that they will learn what happens in Before the Storm when they read the cover copy of Secrets.  

However, there’s almost no way of describing the story in Secrets without giving away Storm. I’m determined to come up with a way to talk about the new book without ruining the surprises in the older book. It’s going to be quite the challenge. For those of you who read the Keeper of the Light trilogy backwards (and I know there were many of you!), did it bother you that you knew what was going to happen in the first book when you got around to reading it? Am I worrying too much about this?

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Naming characters can be such a challenge! But it’s not nearly as difficult as remembering what I’ve named them.

For my first four or five books, I kept an ongoing list of names I’d used so that I’d be careful not to re-use them. Somewhere around book six, I got sloppy or busy or both, and let my list of names slip off my list of things to do. Now, as I begin book number nineteen, I realize I simply must know what names I’ve used before.

I have a new, wonderful assistant, and I’ve given her the task of going through each of my books, making a list of first names, surnames, and fictionalized place names and the book in which each was used. The main characters’ names are marked with asterisks, since I want to be sure not to re-use them in particular. So far, my assistant’s made it through six of my books, and her spreadsheet already shows 237 first names, 118 surnames and 46 place names! Glancing over the list, I barely remember who some of these folks are. I saw that I’d used the name ”Sylvie” in all three books of the Keeper of the Light trilogy. The name was familiar, but only vaguely. Who the heck was Sylvie? Turns out she was one of the character’s cats.  

A reader named Shelly once wrote to me to ask why I used the name “Shelly” so often in my books. I did? I had no idea, but in the six books already culled through, Shelly already appears twice, albeit with different spelling.

Why is it important not to re-use names? In the big picture, it probably isn’t, but I imagine one of my readers reading two of my books back to back, each with a character named Shelly and feeling at best, surprised by my choice in names, and at worst, confused over which Shelly she’s reading about. This becomes particularly important with surnames. I don’t want to make unrelated characters look like they’re part of the same family, but it’s an easy slip to make. We all have names (and phrases and vignettes) floating around in our minds, and when one of these pops into our heads while writing, it may seem fresh and new, but we’re really just tapping into that same old well of our memory. It’s the only one we have (which is why it’s important to refresh it from time to time, but I’ll save that discussion for a different post!) 

I have a few resources I use when naming characters. Baby name books, of course. I have several of those and I relied on them heavily in the days before the Internet gave me better options. Now, I often go to the Social Security Administration, where you can see which names were popular in which year. For example, a character I’m writing about right now was born in 1942, so I can see that Mary, Barbara and Patricia were the top three female names that year. I can dig as deep into the list as I choose. There’s also a feature in which you can plug in your name or another to see how popular it’s been over the years. Diane, for example, peaked in 1955 when it was the 14th most popular girl’s name. (It now ranks 906th).

For surnames, I love the phone book. I think that’s the only thing I use the phone book for anymore. I also like the obituary column of my local newspaper to help me find some wonderful old North Carolina names when NC is the  setting for my work-in-progress.  

Once I have a few names to choose from, I try them on to see which feels right for a particular character. I can usually tell within a few pages if I’ve hit the correct name. It’s rare that it happens right off the bat. One character in this outline has been Sybil, Grace, and Barbara all in the last few hours. I see on my handy-dandy new names list that I’ve already used Grace for a central character, so I think I’ll scratch that one. Sybil sounds a bit too “multiple personality-ish.” And this character really is not a Barbara, so I’m going back to the Social Security admin page.

 Maybe I’ll see you there.

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Well, this is all good news, although I know some of you won’t think so, so I’ll get the semi-bad news out of the way first:

After the Storm won’t be published until June 2009. Ack! I know. A long time to wait for a sequel. My publisher, Mira Books, calls the shots on the publication schedule, though, and I have to bow to their judgment on this. In the meantime, I’ve done my very best to make the story worth the wait.

Now, quickly moving along to the good news! Good news part one: Before the Storm has been selected for Levy Home Entertainment’s September Need-to-Read program. Levy is a huge book distribution company, and that means Before the Storm will be able to reach lots of new readers when it’s prominently displayed at outlets like KMart, WalMart and Stop and Shop. Okay, I guess that’s more good news for me than for you, since if you’re reading this post, you’ve probably already read Before the Storm, but it is very good news for me.

Good news part two is good for all of us: Mira will be re-issuing two of my older books, one in April 2009 and another in May. I know we’ve all been hoping for those re-issues for a long time now, and it’s finally going to happen. I’m thrilled that all the readers who’ve struggled to find my older books will finally be able to get their hands on a couple of them. Mira hasn’t yet decided which two books to re-issue. For obvious reasons, they won’t select any of the books from the Keeper of the Light trilogy. Currently, they’re considering The Courage Tree and Summer’s Child. Which books do you think they should choose? 

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